Marooned on Red Mars with Pink Floyd

What would it feel like to be marooned on Mars?

Perhaps Marooned, an instrumental track on Pink Floyd’s 1994 album The Division Bell, offers some insight. Originally recorded at 5:29 minutes in length, the track was reduced to a more cryptic 2:02 for Echoes: The Best of Pink Floyd (2001).

2:02 minutes is just about enough time to read and reflect upon this passage from Kim Stanley Robinson’s Red Mars (1992).

The sun touched the horizon, and the dune crests faded to shadow. The little button sun sank under the black line to the west. Now the sky was a maroon dome, the high clouds the pink of moss campion. Stars were popping out everywhere, and the maroon sky shifted to a vivid dark violet, an electric color that was picked up by the dune crests, so that it seemed crescents of liquid twilight lay across the black plain.

Suddenly Nadia felt a breeze swirl through her nervous system, running up her spine and out into her skin; her cheeks tingled, and she could feel her spinal cord thrum. Beauty could make you shiver! It was a shock to feel such a physical response to beauty, a thrill like some kind of sex. And this beauty was so strange, so alien. Nadia had never seen it properly before, or never really felt it, she realized that now; she had been enjoying her life as if it were a Siberia made right, so that really she had been living in a huge analogy, understanding everything in terms of her past.

But now she stood under a tall violet sky on the surface of a petrified black ocean, all new, all strange; it was absolutely impossible to compare it to anything she had seen before; and all of a sudden the past sheered away in her head and she turned in circles like a little girl trying to make herself dizzy, without a thought in her head. Weight seeped inward from her skin, and she didn’t feel hollow anymore; on the contrary she felt extremely solid, compact, balanced. A little thinking boulder, set spinning like a top.